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                                            <image:caption>Photo by Caroline Campeau</image:caption>
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                                            <image:caption>Photo by Caroline Campeau</image:caption>
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                                            <image:caption>&lt;a href=&quot;manifolds&quot; rel=&quot;history&quot;&gt;Manifolds&lt;/a&gt; (2024)</image:caption>
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                                            <image:caption>&lt;a href=&quot;multivocal&quot; rel=&quot;history&quot;&gt;Multivocal&lt;/a&gt; (2019)</image:caption>
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                                            <image:caption>Antechamber (2025)</image:caption>
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                                            <image:caption>Tribute to Whistle (2019)</image:caption>
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                                            <image:caption>Comedown (2020)</image:caption>
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                                            <image:caption>Unrealities (2015)</image:caption>
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                                            <image:caption>Installation view of the exhibition at KW Institute for Contemporary Art, Berlin 2025&lt;br /&gt;Photo: Frank Sperling</image:caption>
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                                            <image:caption>Installation view of the exhibition at KW Institute for Contemporary Art, Berlin 2025&lt;br /&gt;
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                                            <image:caption>Installation view of the exhibition at KW Institute for Contemporary Art, Berlin 2025&lt;br /&gt;Photo: Frank Sperling</image:caption>
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                                            <image:caption>Installation view of the exhibition at KW Institute for Contemporary Art, Berlin 2025&lt;br /&gt;Photo: Frank Sperling</image:caption>
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                                            <image:caption>Banner by Rirkrit Tiravanijas. No photos, videos and recording in Berghain and Panorama Bar allowed.</image:caption>
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                                            <image:caption>View of the room &lt;i&gt;Tribute to Whistle&lt;/i&gt;. Photo by Jasper Kettner</image:caption>
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                                            <image:caption>Vinyl version of &lt;i&gt;Tribute to Whistle&lt;/i&gt;.</image:caption>
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                                            <image:caption>View of the room &lt;i&gt;Tribute to Whistle&lt;/i&gt;. Photo by Jasper Kettner</image:caption>
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                                            <image:caption>View of the other rooms of the installation &lt;i&gt;Ankerzentrum&lt;/i&gt;. Photo by Jasper Kettner</image:caption>
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                                            <image:caption>View of the room &lt;i&gt;Tribute to Whistle&lt;/i&gt;. Photo by Francesco Galli</image:caption>
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                                            <image:caption>View of the other rooms of the installation &lt;i&gt;Ankerzentrum&lt;/i&gt;. Photo by Francesco Galli</image:caption>
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                                            <image:caption>View of the other rooms of the installation &lt;i&gt;Ankerzentrum&lt;/i&gt;. Photo by Francesco Galli</image:caption>
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                                            <image:caption>View of the other rooms of the installation &lt;i&gt;Ankerzentrum&lt;/i&gt;. Photo by Jasper Kettner</image:caption>
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                                            <image:caption>Natascha Süder Happelmann and Germany’s former Minister of Foreign Affairs Heiko Maas,&lt;br /&gt;
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                                            <image:caption>View of the other rooms of the installation &lt;i&gt;Ankerzentrum&lt;/i&gt;. Photo by Francesco Galli</image:caption>
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